Lines for the Fortune CookiesI think you're wonderful and so does everyone else.Just as Jackie Kennedy has a baby boy, so will you -- even bigger.You will meet a tall beautiful blonde stranger, and you will not say hello.You will take a long trip and you will be very happy, though alone.You will marry the first person who tells you your eyes are like scrambled eggs.In the beginning there was YOU -- there will always be YOU, I guess.You will write a great play and it will run for three performances.Please phone The Village Voice immediately: they want to interview you.Roger L. Stevens and Kermit Bloomgarden have their eyes on you.Relax a little; one of your most celebrated nervous tics will be your undoing.Your first volume of poetry will be published as soon as you finish it.You may be a hit uptown, but downtown you're legendary!Your walk as a musical quality which will bring you fame and fortune.You will eat cake.Who do you think you are, anyway? Jo Van Fleet?You think your life is like Pirandello, but it's really like O'Neill.A few dance lessons with James Waring and who knows? Maybe something will happen.That's not a run in your stocking, it's a hand on your leg.I realize you've lived in France, but that doesn't mean you know EVERYTHING!You should wear white more often -- it becomes you.The next person to speak to you will have a very intriguing proposal to make.A lot of people in this room wish they were you.At times, your disinterestedness may seem insincere, to strangers.Now that the election's over, what are you going to do with yourself?You are a prisoner in a croissant factory and you love it.You eat meat. Why do you eat meat?Beyond the horizon there is a vale of gloom.You too could be Premier of France, if only ... if only ...
*Frank O'Hara has another excellent poem about his process as a poet compared to Mike Goldberg's process as an artist. I love this one too:
Why I Am Not A PainterI am not a painter, I am a poet.Why? I think I would rather bea painter, but I am not. Well,for instance, Mike Goldbergis starting a painting. I drop in."Sit down and have a drink" hesays. I drink; we drink. I lookup. "You have SARDINES in it.""Yes, it needed something there.""Oh." I go and the days go byand I drop in again. The paintingis going on, and I go, and the daysgo by. I drop in. The painting isfinished. "Where's SARDINES?"All that's left is justletters, "It was too much," Mike says.But me? One day I am thinking ofa color: orange. I write a lineabout orange. Pretty soon it is awhole page of words, not lines.Then another page. There should beso much more, not of orange, ofwords, of how terrible orange isand life. Days go by. It is even inprose, I am a real poet. My poemis finished and I haven't mentionedorange yet. It's twelve poems, I callit ORANGES. And one day in a galleryI see Mike's painting, called SARDINES.
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